What can you say? Brian Eno is a people person. Even before his tenure with Roxy Music was done, he was networking with just about every member of the art-rock elite. Dalliances with King Crimson’s Robert Fripp, John Cale, Kevin Ayers, and Nico would lead to his collaboration with David Bowie on his Berlin trilogy. In the late ‘70s and early ‘80s, he’d prove his mettle with rock’s new vanguard as a producer for Ultravox, Talking Heads, and Devo, as well as the no-wavers he included in the No New York compilation.
His work with an ambitious young Irish band is what truly established Eno’s rep as someone who could bring the best out of musicians in a recording studio. Eno and Daniel Lanois’ wide-screen production aesthetic for U2’s The Unforgettable Fire and The Joshua Tree became the gold standard for Important Rock of the 1980s. But rather than apply the same brush to every artist’s music, he’s continued to adapt his methods to whatever the situations require, thereby eliciting extraordinary moments both from blue-chip clients like Coldplay and Damon Albarn and fellow avant-pop artists like Owen Pallett.